Gessnerallee
Zürich

Invitation to Workshop Audition

The artist and choreographer Alexandra Bachzetsis invites dancers to a Workshop Audition for her future projects 2018–2020. She is looking for professional dancers from age 20 to 60.

The Workshop Audition will take place at the Gessnerallee Zürich, from November 7th – 16th, 2017.

November 7th-9th (obligatory):

First part of the audition workshop with selection of candidates for
 the second part of the workshop.
Elements:

-Classical training

-Movement material

-Improvisation

November 10th-12th (optional):
Audition participants will have the possibility to see the new 
performance by Alexandra Bachzetsis that has been commissioned by the
 MoMA in New York 2017, ‚Massacre: Variations on a Theme’, at
 Gessnerallee Zurich.

November 13th-16th (obligatory for selected candidates):
Second part of the audition workshop
Elements:
-Classical training

-Individual material

-Improvisation

-Repertoire


The audition will be assisted for training, repertoire, music and 
movement study by the performers of ‚Massacre: Variations on a Theme’:

Lenio Kaklea, Yumiko Funaya, Alma Toaspern, Mischa Cheung and Simon Bucher.

As a second step, a workshop with a selected group of candidates will be organised in Athens, Greece in 2017/2018.

Location
Gessnerallee Zürich
Südbühne Gessnerallee Zürich,
Gessnerallee 8, 8001 Zürich

Please register: HERE

For information please contact Claudia Toggweiler, Production Assistant: claudia.toggweiler.DELETE.(at).REMOVE.alexandrabachzetsis.com.IGNOREME.COM

For information about Alexandra Bachzetsis’ previous work, please visit:
www.alexandrabachzetsis.com

Audition and Workshop for Music and Dance


MASSACRE: VARIATIONS ON A THEME

The interplay between expression and control has been a focus of Alexandra Bachzetsis throughout her career in dance. Massacre: Variations on a Theme pushes the uncanny exchanges within this dichotomy to a feverish interchange between excessive mechanical repetition and physical convulsion. Bachzetsis’s choreographies have consistently addressed representations of the female body and the gestures and rituals through which gender stereotypes have been enacted, reinforced, and deconstructed. Within a cultural climate dominated by looping, flickering GIFs and avatars, physical violence, and a compulsive addiction to machines, this new work positions the female body as a technological form caught between animism and automatism.

Bachzetsis’s work frequently draws together tropes and gestures of popular culture with ancient rituals and the choreographic language of landmark figures in dance like Trisha Brown. In Massacre, literally a «ballet méchanique», three female dancers perform to a live score for two pianos, one of which is an automatic player piano. The performance of the score alternates between human movements and machine-driven sound. The movements of the dancers echo this duality, oscillating between the spasmodic gestures of Tarantism, the circular, uptempo rhythms of Northern Soul dancing, and the tentative but instinctive cavorting typical of gorillas and other caged animals. Each sequence of movements is transmitted, almost virally, from one performer to the next.

Bachzetsis’s fascination with automatism and extreme, pounding repetition parallels a critical curiosity with the eroticism produced within such a system. The images, gestures, and sounds that form Massacre draw on many precedents from Dada and Surrealism notably representations of the female form within the work of Man Ray, Marcel Duchamp, and Hans Bellmer—as well as a fascination with the formation of gender and sexuality in a mechanized world increasingly impacted by the pharmaceutical and pornography industries.

Massacre presents the individual as an «exquisite corpse», a composite of organic and technological processes formed equally by eroticism, industry, and violence. Each performer is a conduit for systems that take possession of her body within a matrix of hyperbolic production.
(Text by Stuart Comer)

Venue
Südbühne Gessnerallee, Zürich,
Gessnerallee 8, 8001 Zürich

Application and Registration
Audition participant via CV
→ Maximum number of participants: 25
→ Application deadline: 30.9.2017

Please register: HERE

Performances
Friday 10 November 8 pm
Saturday 11 November 8 pm
Sunday 12 November 6 pm