An experimental opera on Lake Zürich invites the surface of the water to amplify the voice and the landscape to reverberate and answer with its embodied (pre) history.
Constructive interference is an ongoing research of Maria Magdalena Kozłowska, Amsterdam based performer and director of Polish origin. She been long exploring the entanglement of voice and landscape. She works with with musicians and opera singers, as well as creates musical solos, often in public spaces. Her performances approach the voice interdisciplinarily. She introduces linguistics, philosophy and cultural studies into her artistic practice, situated on the verge of musical theatre, video and performance art.
The exact location will be communicated via Telegram.
An experimental opera on Lake Zürich invites the surface of the water to amplify the voice and the landscape to reverberate and answer with its embodied (pre) history.
Constructive interference is an ongoing research of Maria Magdalena Kozłowska, Amsterdam based performer and director of Polish origin. She been long exploring the entanglement of voice and landscape. She works with with musicians and opera singers, as well as creates musical solos, often in public spaces. Her performances approach the voice interdisciplinarily. She introduces linguistics, philosophy and cultural studies into her artistic practice, situated on the verge of musical theatre, video and performance art.
The exact location will be communicated via Telegram.